Why adults love KPop Demon Hunters too — and why its Oscar win matters

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(L-R) Maggie Kang, Chris Appelhans, Arden Cho, May Hong, REI AMI and Kevin Woo attend the KPop Demon Hunters A Sing-Along Event fan surprise at Paris Theater on Aug 23, 2025 in New York City. (Photo by Roy Rochlin / AFP)

Its recognition at the Academy Awards feels less like a surprise and more like a long-overdue acknowledgement of what fans already knew: this film is something special.

WATCHING KPop Demon Hunters is one of those rare experiences where an animated film catches you completely off guard.

What begins as a flashy, high-energy story about demon-hunting idols quickly unfolds into something far more memorable — a film brimming with humour, heart and music that refuses to leave your head.

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Its recognition at the Academy Awards feels less like a surprise and more like a long-overdue acknowledgement of what fans already knew: this film is something special.

As an adult, I did not expect to love it as much as I did. But the songs have a way of sneaking into your everyday life. You find yourself humming them while working, catching a chorus mid-thought, or singing along late at night without even realising it.

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That is the film’s quiet power — it stays with you.

(L-R) Maggie Kang, Chris Appelhans, and Michelle L.M. Wong, winners of the Best Animated Feature Film Award for "KPop Demon Hunters”, pose in the press room during the 98th Oscars at Dolby Theatre on March 15, 2026 in Hollywood, California. (Photo by Frazer Harrison / AFP)

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So when KPop Demon Hunters took home an Oscar, the moment felt bigger than just another win for animation. It signalled something deeper: a growing recognition of Asian storytelling, a renewed respect for animation as a serious medium and the undeniable global influence of K-pop.

There's also the sense of representation and appreciation for the cultural depiction of Korean food such ramen and kimbap, creatures from folklore like dokkaebi and protective tigers, as well as fashion - the hanbok and gat (traditional, black horsehair hats). All this for the world to see, in the movie and on stage at the awards. 

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One of the standout moments of the night was the electrifying performance by Huntrix. With razor-sharp choreography, bold visuals and infectious energy, the stage felt less like an awards ceremony and more like a full-blown stadium concert.

For a brief moment, the Oscars shed their formality and came alive.

The audience responded in kind — some visibly surprised, others completely immersed as they waved their lightsticks — but by the end, there was a shared sense of awe. It was a reminder that K-pop is no longer confined to music charts; it has become a global cultural force reshaping entertainment across industries.

Long before its Oscar win, the film had already built strong momentum. It earned major recognition at the Annie Awards and picked up accolades at the Critics' Choice Awards, clear signs that the animation community had embraced it well before Hollywood did.

Director Maggie Kang captured the emotional weight of the moment in her acceptance speech: “I’m sorry that it took us so long to see us in a movie like this, but it is here. And that means that the next generations don’t have to go longing.” Because beyond the trophies, this win carries meaning.

For years, animation has been boxed into the realm of children’s entertainment. Films like this challenge that perception entirely, proving that animation can be stylish, layered, and emotionally resonant for audiences of all ages.

Equally important is the representation it brings.

That emotional resonance was echoed by Chuck Park, an American raised by Korean immigrant parents and running for Congress in Queens. He shared how his daughter danced and sang along to the performance — while he found himself overwhelmed with emotion: “My daughter was dancing, singing along just like she has been non-stop for the last nine months.

“But I was over here crying my eyes out because look, these moms who came here with nothing, grinded out, long lonely days behind the register, mocked for their broken English,” he said.

He went on to describe a halmoni (grandmother) who was born during the Japanese occupation, survived war and military dictatorship, as well as a young child in a hanok who faced judgement from peers for something as simple as eating shin ramyun with an egg for dinner.

“None of us could have imagined that one day our culture will be on this stage.” His reflection showed what this moment represents for many in the diaspora: visibility, validation and a sense of arrival.

A film deeply rooted in Asian pop culture standing proudly on one of the world’s biggest entertainment platforms sends a powerful message — that stories shaped by Asian creativity and identity do not just belong; they resonate globally.

(L-R) Yuhan, EJAE, ZHUN, Mark Sonnenblick, NHD and 24 accept the Original Song award for "KPop Demon Hunters" onstage during the 98th Oscars at Dolby Theatre on March 15, 2026 in Hollywood, California. (Photo by KEVIN WINTER / AFP)

For K-pop fans, the win also feels like a milestone.

What began as a regional music movement has grown into a worldwide phenomenon influencing fashion, film, television — and now, award-winning animation. KPop Demon Hunters captures that journey in one vibrant, exhilarating package.

Perhaps that is why this Oscar win feels so satisfying.

Because sometimes a film does more than entertain — it lingers.

In this case, it is the music that stays with you.

And judging by how often those songs still pop into my head at the most unexpected moments, that magic is not fading anytime soon.